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Sample Term Paper on Psychological Diagnosis of the Narrator in The Yellow Wallpaper
Psychological Diagnosis of the Narrator in The Yellow Wallpaper
The Yellow Wallpaper is a narrative that describes a husband’s effort to recuperate his wife from ill psychological health by protecting her from the taxing processes and demands of life. The work is narrated in the first person and is an early example of American feminist literature due to its dedication to the physical and mental health issues that women faced in the 19th century. The narrative is essentially a collection of the journal entries of a woman whose husband, a physician, rents an old mansion for summer and restricts her to an upstairs room as a form of treatment for temporary nervous depression and “hysterical tendency”. The narrative piece is significant from the perspective of feminism because this problem was a common diagnosis among women in the 19th century. This paper’s purpose is to diagnose a character from the narrative psychologically. The chosen character in the narrative for this analysis is the woman (the narrator) whose husband restricts her in the upstairs room. The analysis below illustrates that the sources of the narrator’s mental distress in the Yellow Wallpaper are her experience of oppression and lack of freedom in her marriage. She feels that her husband, John, belittles her thoughts, concerns, and desires, such that she suffers from frustration and longs to attain freedom (escape) from the imprisoning effect of her marriage and prevailing cultural attitudes against the roles of women in marriage and the larger society.
In order to understand the narrator’s mental distress and the source of this distress, it is essential to understand the reason for her husband’s action to restrict her in the upstairs room and the experience of the woman in this room. The narrative is a critique of the position of women in the institution of marriage and in the context of the cultural norms and practices of the “respectable” social classes in the 19th century. It portrays the role of these cultural and social perceptions and norms in regard to women as society members with subordinate roles to men and in preventing their learning, expression, and full development.
When the narrator’s husband, John, suspects that she is suffering from a temporary nervous depression and hysterical tendency, he hires an old mansion for summer and restricts his wife's movements and activities in an upstairs room within it. His intention is to treat his wife’s depression by promoting her ability to attain tranquility. He forbids her from any active performance, especially writing and working, to help in “relieving” her mind. The husband’s “therapy” concept here involves secluding the patient from stressors in life and the environment to support her “perfect rest” (Gilman). He considers his wife’s avoidance of physical activity and non-involvement in taxing processes and demands of life as an important part of her recuperation from ill psychological health. This effort at recuperation is unproductive because it promotes, rather than reverses, her development of deeper frustrations and distress. Nonetheless, the experience of the woman in the secluded room reveals her inner thoughts and feelings, and hence the fundamental source of her mental distress.
The narrator’s mental distress concerns the frustrating experience of her position and role in her marriage and her inability to achieve what she desires in life and in society. She feels that her husband belittles her thoughts, concerns, and desires. These feelings influence her suffering from frustration as she longs to attain freedom (escape) from the imprisoning effect of her marriage and prevailing cultural attitudes against the roles of women in marriage and the larger society. This diagnosis of the fundamental source of the narrator’s mental distress is evident as she reveals her concerns and feelings as the narrative advances. John holds all-encompassing authority over the narrator and her life. He is sure that he understands his wife’s needs, desires, and best interests, to an extent where he disregards her opinions. This dynamic in the marriage compels the narrator to conceal her true feelings. John patronizes her constantly, as evident in both his behavior and comments. He calls her “a blessed little goose” (Gilman). He vetoes her wishes, including the small ones, such as the instance when he refuses to change bedrooms to avoid overindulging her “fancies”. While his intention is not to harm her, he displays a level of ignorance that endangers her mental wellbeing.
The trapped experience of the narrator in her marriage and in the context of wider social and cultural norms of her society emerges as her restricted movement compels her to focus on the prominent object in the room - the yellow wallpaper. The reality of this experience also emerges as she loses touch with the outer world and attains a deeper understanding of the inner truth of her life and experience as a woman and a wife. This experience is essential to explore to understand the nature and underlying cause of the narrator’s mental distress. The narrator clearly has high-quality expression and imaginative skills, but the treatment that her husband recommends involves an attempt to undermine these skills. Both her emotional experience and reasoning while in the secluded room rebel against this therapy. She focuses her imagination and expression skills on the house and the yellow wallpaper. The narrator applies her negative feelings in describing and experiencing these objects.
As she sinks further into the fantasy world and dissociates from the real world, the narrator reveals the true nature of her situation through symbolism. She begins recording her thoughts, feelings, and experiences in a diary that she hides from John. These recordings show her longing for a more stimulating company and activity. She complains continuously about John’s controlling and patronizing behaviors and choices. Despite John’s worry that she is increasingly fixating on the wallpaper, the narrator focuses on it as the object of her imagination. She perceives underlying features of the wallpaper, such as a strange sub-pattern behind its main design. She grows “fond” of the wallpaper and focuses on figuring out its pattern as a way of entertaining herself and stimulating her imagination (Gilman). Her fixation yields a “clearer” image of the wallpaper in terms of the figure of a woman stooping down and creeping in an effort to get free from the main pattern, which appears like a cage.
This experience of the narrator reflects the theme of subordination of women in marriage and in the broader context of social and cultural norms. The narrative utilizes this perception to critique the position of women in marriage as an institution and in the broader society. It criticizes the domesticated nature and role of women in marriage in comparison with the active role of men outdoors, arguing that this role promotes the perception that women are second-class citizens. This theme in the narrative forms the basis of the fundamental origin of the narrator’s mental distress. The narrator feels that the division between the male and female genders serves to promote and preserve a state of ignorance among women and prevents their achievement of full development and potential. The woman in a marriage is in an "imprisoned" state under the patronizing and dominating role of the man. This state leaves the woman in a helpless state, such that she cannot stand for herself, express herself, pursue her interests, pursue knowledge (learn), or apply her imagination skills without appearing to be unreasonable, disrespectful, disloyal, or otherwise wayward. The position and role of women in marriage and in broader social and cultural contexts are such that they cannot express and control even the smallest details in their lives, health, safety, and wellbeing. Women in marriage and in society can only express themselves or pursue their interests in the realm of fantasy. They can only assume and maintain control over their lives in their minds. These positions and roles of women in marriage and in society represent the fundamental source of the narrator's mental distress in the narrative. The narrator’s mental distress originates from the feeling of being in a trap in her marriage to John, based on the norms and dynamics of the marriage relationship as her culture and society dictate.
The narrator's frustration with the subordinate role of a woman in marriage and in the broader society and her mental distress relating to this frustration are logical considering that marriage, as an institution, has a largely disadvantageous effect on women across societies in the world. Zielinski (para.2) notes that marriage, as a concept, has deep roots in patriarchy and gender inequality. This nature of marriage implies that it is illogical for a young woman to accept marriage unless her partner is willing and ready to reject all traditional features and norms in the relationship. In the past, marriage represented a way for a woman to find security. Following marriage, the will of the husband surpassed a woman’s identity, independence, and rights as he became her legal guardian in all ways. Zielinski (para. 5) argues that marriage is a brilliant invention in a patriarchal society to keep both women’s feelings and rights subservient and reproduction within the sphere of male control. This is an important observation because reproduction is the only thing that women could control in a patriarchal society since they are the ones who fall pregnant. In effect, marriage serves the interests of men by affording them respectability and heirs. The patriarchal culture in society promotes the understanding that women are properties of their husbands, and before then, of their fathers (Zielinski para.5-6). This ideal has also been a target of government legislation through policies that discriminate against unmarried women.
The long-running nature of women’s subordinate roles to men in society yields frustrations that are likely to cause mental health issues among women. Like men, women are also human beings with intellectual, cognitive, and emotional needs. As human beings and deserving members of society, women need social and economic freedom to exercise these abilities and reach their maximum potential. The World Health Organization (9) and Holmes et al. (548) note that the social, physical, and economic environments of individuals are important influences of their mental health and the development of common mental disorders. Social inequalities serve as significant risk factors for many common mental health problems, such that improvements in conditions of daily life and social environments are important to protect individuals from these problems. Marriage should not serve as a tool to suppress these rights among women. These findings support the potential roles of adverse conditions and environments within marriage in the development of mental health difficulties among individuals. They support the role of the narrator’s frustrations in her marriage with John as significant risk factors for her mental distress.
This paper investigated the psychological diagnosis of the narrator (John’s wife) in the Yellow Wallpaper. The analysis illustrates that the narrator’s frustrations in her marriage with John, relating to her sense of oppression and lack of freedom in the marriage, are the source of her mental distress. She feels that John disparages her thoughts, concerns, and desires, believing that he has adequate knowledge and understanding of her needs and interests. John’s patronizing attitudes and behaviors towards his wife are unintentional, but they reflect the traditional cultural systems of a deeply patriarchal society, in which women and their roles are subordinate to men and their roles. These experiences have the potential to yield mental health difficulties among women, who are deserving members of society in need of supportive social and economic environments to exercise their intellectual, cognitive, and emotional abilities and reach their maximum potential. The experience of an unsupportive environment in her marriage with John fosters the narrator’s frustrations and mental distress. She longs to escape from the imprisoning effect of her marriage and prevailing cultural attitudes against the roles of women in marriage and the larger society.
Gilman, Charlotte. The Yellow Wallpaper. 1892.
Holmes, Emily, et al. Multidisciplinary Research Priorities for the COVID-19 Pandemic: A Call for Action for Mental Health Science. The Lancet, vol.7, 2020, pp.547-560.
World Health Organization (WHO). Social Determinants of Health. WHO, 2014. https://apps.who.int/iris/bitstream/handle/10665/112828/9789241506809_eng.pdf;jsessionid=E0FF20AB04A230A02508851210A16D9F?sequence=1
Zielinski, Caroline. First Comes Love, Then Comes Marriage. Not for Me, Thanks. The Daily Telegraph, April 15, 2015.-
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